(2022) aluminium 400 x 200 cm
Uppdragsgivare: Region Västmanland
Plats: Västmanlands sjukhus, Sala
(2022) aluminium 120 x 70 cm
Uppdragsgivare: Stichting Kerk op de Floriade
Plats: Almere, The Netherlands
(2020) aluminium 100 x 20 x 20 cm
En utforskning av samspelet mellan volymer, former, rörlighet och rörelse.
(2019) hand hammered cortén steel. 14 x 3 m
Yggdrasil, the mythical tree that carries the world. As a symbol of growth, its roots are the energy of life. Likewise the newborn being the vitality of the kommun.
Commission for Bengtsfors Kommun.
(2018) handformad aluminium. h: 200 cm
En utforskning av samspelet mellan kropp och dess rörelse i landskapet.
(2016) Aluminium, steel 200 x 100 x 15 cm
Part of the traveling exhibition Transition in 2016 (Belgium, England).
Photographed by BABA.
This sculpture represents the transition between the Belle Epoque (1900) and the unstable period after the first world war. I chose a circular form as a symbol of time and perpetual renewal.
Transition is divided in three parts: at first, the form is fluid and dynamic to recall the Belle Epoque. Four years of war abruptly stop this form; a crash of metal and fire. Time continues, but the form is distorted as many countries are after the war.
Creating a space instead of a border
This gate creates a passage, a transition between two different gardens.
When the gate is open, you experience the space in between the walls. This space is part of a larger whole namely a sphere that suggests a cocoon. Entering the garden through this gate creates a ceremonial welcome ritual to the centre. The structure on the inside of the walls is inspired by the rough bark of an apple tree.
Named after the Greek goddess of spring and nature, Cybele.
(2018) steel, 35 x 35 x 35 cm
Photos: Josha Woudstra
/ Comme de lointain échos qui de loin se confondent (Charles Baudelaire)
Stones are shaped through pressing, heating, juxtaposition and tear. This is how their story is written and these processes intrigue me.
My project is an artistic investigation on how metal can narrate the language of stones and how transformations can affect the structure of a material.
(2018) copper, steel, aluminium, stainless, brass
Each piece is between 15 and 100 cm
Photographed by Tina Umer and Josha Woudstra
(2018) Steel, aluminium, stainless, concrete.
200 x 150 x 5 cm
Stones carry stories with them. These stories are written by severe forces like heat, juxtaposition and tear; I am intrigued by these powers of nature.
This sculpture is the result of my artistic investigation on how metal can narrate the language of stones and how transformations can affect the structure of a material.
